Branding · Creative Direction · Graphic Design · Logo Design

Locality Bracelets

Founder, 2016

Locality Bracelets was a company I started from nothing in 2016: handmade morse code bracelets, each one spelling out a message the wearer chose. I created the concept and the name, designed the product, the identity, and the packaging, set up the online store, shot the photography, and built the production system that let local makers craft every message by hand.

A stamped kraft Locality gift box beside its morse code translator card, with the Locality logo centered on the lid.
01 Situation

Most projects start with a client and a brief. This one started with a blank page.

In 2016, while living in Mexico, I founded Locality Bracelets to test an idea: a bracelet that spells out a message in morse code. Something to say, worn on the wrist. There was no brief to answer and no brand to extend. Name, concept, product, identity, packaging, website, photography: every decision was mine to make, and mine to get right.

02 Beads as language

Beaded bracelets are everywhere. A message you can wear is not.

Morse code turned beads into language. A dot is one bead, a dash is three, and a word fits on a wrist only if its bead count does. The website did the math for you: type a message and it told you whether it fit. That single idea set everything downstream: the positioning, Created by Artists. Crafted by Artisans. The product line, custom messages, mantras, zodiac signs, names. And the reason to buy: a gift that means something, spelled out in the beads.

03 Hip yet handcrafted

The brand had to feel current enough to sell online and handmade enough to be believed. Instead of splitting the difference, the identity gives each half its own voice: a script wordmark with crossed needles for the craft, a typewriter serif for the code, and a geometric hexagon holding the morse mark.

The system’s smallest carrier was the one I spec’d the hardest: a two-sided, gold-plated charm, morse mark on the front, wordmark on the back, drawn to the tenth of a millimeter and manufactured from my spec. Bracelets can be imitated. The charm made every one of ours unmistakably Locality’s.

Production spec for the gold-plated charm: morse mark on the front, wordmark on the back, drawn to the tenth of a millimeter.

Kraft paper and rubber stamps carry the same system into the physical world. A hand-stamped box and the e-commerce site read as one brand because they are built from the same three voices.

04 Packaging as product

A morse code bracelet has a catch: most people cannot read it. Some customers could, and that was exactly why they bought. For everyone else, the packaging is the answer.

Every bracelet shipped in a custom kraft box I designed from the dieline up, carrying two cards. An insert reveals what the bracelet decodes to read. A translator teaches the code itself, bead by bead, so the wearer can read the message back and write new ones. The unboxing is the moment the product makes sense.

The two cards inside every box: the message insert and the morse code translator.

05 The template

The bracelets were handmade in Mexico by local makers, most of whom were not artisans when we met. They were people with more talent than opportunity, recruited with flyers and trained, my wife translating as I taught.

The risk was obvious: one wrong bead and a bracelet says the wrong thing. Accuracy could not depend on anyone’s memory, including mine. So I built a bead-by-bead template for every message: exact colors, exact counts, exact order, dots and dashes mapped to beads. The template did the remembering, the training did the rest, and a one-off custom message could be made exactly right by hand.

06 What happened

Locality ran for a year and worked: steady growth, repeat buyers, customers posting their bracelets unprompted.

The year is on this site because of what it proved. I decided who a company was, then built everything that made people believe it: the product, the identity, the packaging, the online store, the photography, and the production system behind them.

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I’m a brand and creative director with 20 years across strategy, identity systems, and digital. If you’re building a brand, or rebuilding one, let’s talk.